Massimo Beni is a Luxembourgish painter known for his vibrant and thought-provoking art. Driven by passion and a desire to express the complexities of modern life, Massimo paints daily, using his work as an outlet for the frustrations and challenges he encounters or observes in society.

His unique style combines cubism and figurative elements, enriched with modernist symbolism. Bold, pure colors and dynamic stripes bring a sense of cheerfulness and vibrancy to his paintings, encouraging optimism and belief in humanity’s strength to build a tolerant world.

Massimo’s art often features playful elements, generous forms, retro atmospheres, and symbolic objects, all infused with a touch of humor. These motifs create engaging narratives that invite viewers to explore both the visual and deeper meaning behind each piece.

With a life story that contrasts sharply with the stereotypical image of an artist, Massimo’s work reflects a meticulous attention to detail and the vibrant spontaneity of creative expression. His paintings offer not just visual appeal but also rich stories and social commentary, making his work a compelling experience for art lovers.

As a young student working in the gallery, Zoé has interviewed Massimo during the summer 2024 

Q: How long does it take to make a painting?

It depends. The time it takes to make a painting always depend on how you start the painting. It depends on the base; if I put a dry or greasy base, if I want it to dry or if I mix it with other colors. A painting can take a month or years to make. But, for example, I can make an acrylic painting in one day. Drawings take a few minutes, especially if I work on a model, you don’t want him to get a cramp. The one that took me the longest is “The Gardener”. I started in 2018 and just finished it now, in 2024. I thought again and reworked it so many times. You have to know when to say stop – and I said it 3 times with this one – but you also shouldn’t be afraid of re-working a painting either. I consider it finished when it is signed. Well, again, it is not always the case, for example, “The Bedbug” still in progressed was signed but at the end I realised I must improve it so I worked on it even if it was signed.

The Gardener

Etude

Q: How would you defined your style?

 It is a panache of style, everything that has been done in the 20th century, all remixed and out together.

Q: Is there no problem for you to sell a painting and see it go forever? 

Of course it is complicated for some. But  it means that I will paint again, have new projects and improve myself.

If you would like to see the pictures taken during the opening of this exhibition, click here.

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